When mentioning jazz music, the first thing people will probably think of is a tall figure with a clown image, nicknamed Uncle Satchmo. The man was Lewis Armstrong. He is a throaty singer, often with a trumpet in his hand. He performed dramatic works of simple structure in the Orléans jazz style and with the accompaniment of Dick's jazz music. Each of the books on jazz music will mention his name. Lewis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will include an introduction to the king of jazz music: Lewis Armstrong and his great influence on the history of jazz. It has not been possible to determine when and by whom jazz music was discovered. People started listening to jazz in the early 1900s. It originated from He left a rich legacy of jazz to people around the world. People can appreciate the excellence of a great master from the following classic singles, West End Blues, Savoy Blues, Potato Head Blues, Weather Bird, I'm Not Rough and Heebie Jeebies, etc. No jazz musician could be known and gain the support of all families like him. His works have been reprinted several times over the past thirty years (Gourse and Louis 342). He had a large collection of his own and other recordings. He loved listening to his own recordings and comparing his performances musically. Additionally, the enthusiasm and sense of humor in Armstrong's stage performances are the main reason for the popularity of jazz music. Many young people began to love jazz after hearing its songs or seeing its performances. He was a jazz musician who appeared in various media, and even today Armstrong's music is often featured in radio program and concert listings. This makes Armstrong's name forever stay in the development of jazz music and in people's hearts. He attached great importance to exchanges. with the audience and tried to make the audience happy, which made him a master of comedy. People often had two types of views on him: one was to view him as an entertainer, the other was to view him as a general entertainment entertainer. Armstrong believed that even if a person valued music as much as their life, that did not mean that they should not be a public artist and should not be appreciated by the masses (Whyton 122) . Armstrong is not only a trumpeter, he has also enjoyed great success as a singer. For many years, jazz fans ecstatically attempted to imitate his unique voice and scat singing that was absurd but with a rhythm. Armstrong was the first to successfully use scat singing, which eventually became a major feature of jazz concerts. His singing method affected almost every jazz singer, including Coypin Crosby in the 1940s, the most charismatic singer in jazz history, Billie Holly and Frank Sinatra. Of course, Armstrong's achievements in jazz music could not be summed up by the above description. He is the greatest and most important musician in the history of jazz and brought innovation to jazz music. It is no exaggeration to say that, in some ways, Armstrong was the pioneer of jazz.