The Breakfast Club is a 1985 American film composed, created and directed by John Hughes. It stars Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy as young people from various high school groups who spend a Saturday in detention with their vice principal. "The film debuted in Los Angeles on February 7, 1985. Universal Pictures released the film in the United States on February 15, 1985. It grossed nearly $51.5 million on a $1 million spending plan. of dollars. » Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Many experts consider it one of the best high school films of all time and, furthermore, one of Hughes' most significant and notable works. Plot-wise, the focus is on five high school students who end up forming a surprising bond during a Saturday morning detention session. Checking off different generalizations, there is the nerd (Hall), the jock (Estevez), the nervous (Sheedy), the princess (Ringwald) and the criminal (Nelson). In detention, Mr. Vernon gives them a basic task. They should write a paper on “Who You Think You Are.” Each individual has an intelligent idea of ​​what the other is. However, through some speeches and disputes, they discover that they have more similarities than at first glance. John Bender first focuses his annoyance on Andrew and Claire. His outward contempt for their “good life” hides his feelings about his own life. In reality, Claire just wants her parents to worry as little about her as possible, and Andrew wants him to have the courage to confront his tyrannical father. All three assume that Brian is the ideal child and does not have the same problems. My only protest against the character is that Allison isn't as well created as the other actors. His issues are more personal and all together strive for attention while turning people off. Each character has their own problems and as irrelevant as they may seem, to a young person they are everything. This is what the film captures best. Either way, adolescence is a time of reluctance and apprehension. When you think about it, it seems somewhat ridiculous. However, at this point in our lives, it becomes imperative. Parents don't understand and educators don't understand. The film completes an exceptional activity of deconstructing children's generalizations. Either way, The Breakfast Club misses the opportunity to do the same with generalizations about adults. Mr. Vernon is relatively hilarious in his dastardliness. The average person means an instructor who is more put off by children than anything else. In the middle of a scene with Mr. Vernon and Proctor Carl, Hughes begins to become familiar with the instructor's character. When he cries about the fact that the one-liners have changed, Carl lets him know, "No, you've changed." Hughes stopped there, but he could have brought humanity into Mr. Vernon several times by making him, at any rate, display an outward appearance of disappointment in his activities. All things considered, there is a brief scene. After a verbal one-on-one with Bender early on in the film, you see Mr. Vernon pause for only a second as he leaves the containment corridor. However, the film does not elucidate this. I guess Hughes wanted to build this subplot, but abandoned it when he realized his intended interest group had no enthusiasm for a non-clichéd educator. Some criticize the film for being excessively creative. These individuals were not the focus of the film. In a typical Hollywood movie, they would have.