The sound engineer as an industry professional As soon as the rhythms of our favorite songs or music pierce our ears, the feet tap while fingers mix. Music is what fascinates everyone, but does anyone care who is behind this fascination and happiness? Is it the musician, the singer or the producer of the album? Yes, they all have their role to play, but it is the sound engineers who help even 21st century singers or musicians realize their dream. These sound engineers are people who have brought dramatic changes to the face of music. Audio engineers have a remarkable combination of character and traits. They tend to love music and want to contribute to its creation, as well as being fans of technology and “cool hardware.” Interest in technology is sometimes accompanied by an interest in how it works. They have the desire to form new technology that can put the finishing touches on a recording in terms of listening/processing/recording, etc. An experienced sound engineer in daily hard work operates and builds amplifiers, speakers, microphones, preamplifiers, tape recorders, etc. The Associate Sound Engineer has four areas of responsibility: directing sound technicians and technologists, project management, working with buyers, and providing advice and serving as a resource. An associate sound engineer is responsible for operating the cavity resonator and various equipment for recording music, words, sounds, or any combination of these materials. Working in various cinema shows, music recordings, theater or gaming industries, a sound engineer is also responsible for ensuring the implementation of all audio-related components for such events, even live.... .. middle of paper ..... .hnicians from other fields. Their potential to perform well cannot be ignored. Technicians from different streams create technology together, but the lack of availability of even a technician from a single stream can delay the development of the technique. Hence the need for this rapidly advancing generation of the 21st century to understand the importance of each technological stream, as no incomplete technology is used.References:1. Neville Fletcher, 2010. The Physics of Musical Instruments. Edition. Springer.2. John M. Eargle, 2002. JBL Audio Engineering for Sound Reinforcement. Edition. JBL Pro Audio Publications.,3. Victor A. Ginsburgh, 2006. Handbook of the Economics of Art and Culture: 1. 1 edition. North Holland.4. Stewart Ross, 2010. Sports technology (new technology). Edition. MMS Or.5. 2009. Audio engineering explained. 1 edition. Focal Press.